GOTT&GILZ

Art projects

Roman Gilz

Photographer, Artist, Creative Director, Musician/Producer, Gilz Art – Living with Multiple Sclerosis #multiple sclerosis
www.roman-gilz.de
www.gilz-art.com

1970

born in Otterndorf / Niedersachsen

2020 – 2024:

Management of virtual reality – NFT Museum Hamburg

2018 – today:

GOTT&GILZ Art Group with Gordan Nikolic,
Galleries in Berlin and Hamburg

2012 – today:

Business manager / Gilz-Art UG – Advertising agency

1992 – today:

Photographer with Roman Gilz – Photography

1996 – today:

Freelance photographer and cameraman in Hamburg, many exhibitions, publications, editorial photography: Stern, Wiener, Für Sie, Yacht, Gruner & Jahr, Heinrich Bauer Verlag, Burda Verlag, Axel Springer Verlag, Jahreszeiten Verlag, Pro7

Advertising photography: Maserati, Öger-Tours, Inter Sport, Hanseatic Bank, various print media, advertising agencies and the Internet

2005 – 2008

Stage director / Board member – Norderstedt Amateur Theater

2001 – 2012

Art Director and Web Designer –
Gilz-Art Office Cooperation in Norderstedt

1999 – 2001

RTM – Film production

1996 – 1998

C-square set construction, advertising film, photo set construction, television productions

1992 – 1994

Sound studio in Hamburg Winterhude with Roger Hook & Axel Willer

1992 – 1998

First own photo studio in Hamburg Hasselbrook and Hamburg St. Georg (with Daniel Josefsohn, Felix Lammers and Werner Gritzbach)

1988

Training with Wulf Eike Naumann

Gordan Nikolić

Artists, famous Berliners, God & Gilz
www.gottgordan.de
www.berühmteberliner.de

1968

born

Since 2013:

Artist name – GOTT GORDAN

1992 – 2001

Graphic Design – Studies, Düsseldorf

From 1994:

Assistant for figure drawing at Prof. Rudi Assmann
Lives and works in the Ruhr area; exhibition work since 1994
is a co-founder of the artist groups „tausendmeister“ (1995), „GOLD“ (2001) and GOTT&GILZ (2018).

Quote:

Gordan Nikolić’
„In its picturesque provocation, “Kunst der Drastik” deliberately includes classifications such as tasteless, sexist or politically incorrect.
In public museums, these images would have a hard time.
And yet they are challenging and disturbing.
This artist won't leave us alone.
In a gentle, relentless way, the scars are scratched until they glow with blood.

Jürgen Boebers-Süßmann (WAZ)